Alma Tadema.org, welcome & enjoy!
![Alma Tadema.org](images/almatadema.gif) |
|
![Go Back!](/images/goback.gif)
|
Joachim Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen. Related Paintings of Joachim Beuckelaer :. | Market Woman with Fruit, Vegetables and Poultry | Market Scene | Market Scene (detail) | Slaughtered Pig | Christ in the House of Martha and Mary | Related Artists: Thomas FogartyAmerican
1873-1938
Anna Peterspainted Rosenbluten in 1843 - 1926 CIMA da ConeglianoItalian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
|
|
|
|
|
|
|
|
![Alma Tadema](images/dansar.gif)
All the Alma Tadema's Oil Paintings
Supported by oil paintings and picture frames
![](images/art.gif)
Copyright Reserved
|